or its 33th release,etruria beat welcomes diego amura.the italian prodigy already released on french nowhere label (synchrophone paris), planet rhythm to only name a few.here are 4 pure techno cuts:2 originals,peruana with its characteristic distorted bass and unmissable 909,lost which is a classic techno tool with an hypnotic synth. on the remix duties,lost got a reinterpretation from dutch twr72 with an intense and strong groove,while label boss luca agnellis rework of peruna brings the music to another side of the dancefloor with an explosive restart

we are glad to welcome youandme feat. brothers vibe to the kitties family after great releases on labels like desolat, cocoon and many more. martin collaborates with tony on the amazing house will survive, an underground raw history lesson with an acid bass line and cool spoken vocal lead. for the remixes we count on two great artists for two different approaches the legendary dj t. delivers a strong, percussive, dancefloor-oriented version then west coast maestro joeski s remix is a full on groove laden deep dub for lovers of classic house music. powerful release!

the kabalion ministry is pleased to present yet another elixir crafted by danish producer periskop.
recorded nearly ten years ago (during the fall of 2006), thrust consist of four deep thrusting techno tracks, each being a remix of the previous one. they share a common bass sound as baseline and a high tempo of 140 beats per minute throughout.
pressed at 45 rpm on 180 gram vinyl.
early support from kwartz, yuka, antonio de angelis, gianluca meloni, iori, jonas kopp, sam kdc and luigi tozzi to name a few.

after a few digital releases, lunar convoy delivers a masterfully executed debut ep to inaugurate newcomer belgian imprint norite’s vinyl series. counting northern electronics, hypnus records, semantica and prologue among his main influences, lunar convoy’s first effort is utterly coherent while not failing to evoke a plurality of emotions. imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, outer rim territories is a testimony of his love for deeper realms. on the a side, seswenna’s trancey lead synth and pumping bass opens the ep with an excursion towards distant planets. ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. on the flip side, eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. allen’s take on ryloth is symptomatic of the us-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on attic music, m_rec ltd, polegroup or more recently granulart recordings. with such a captivating release, lunar convoy has set a high bar for the upcoming releases and left us under his sway.

opening cut acido setting the tone perfectly via murky broken rhythms and glitched out bass hits before the latter stages introduce a squelching 303 lead which tails out the rest of the record.what follows and takes a more robust approach rhythmically with a weighty kick drum, shuffling congas and choppy hats lying at the forefront while spiralling bass hits and vocal chops meander around them. opening the flip is nasty(or nylo if there is no way to fix name) which draws on an earth shattering sub bass lead, sparse percussive shots and a subtly bubbling synth stabs.lastly the package is closed with nylo(or koi if there is no way to fix name), an intricately programmed energy fuelled workout featuring reversed bass swells, jazz tinged rhodes melodies and crunchy distorted drums.

dave the drummer and marcello perri get together once again with 2 tracks of techno goodness.
in safe hands: this is a hard bass-driven industrial kick-drum groove which meets some carefully placed vocal loops and a piercing high synth shot which gives the track a distinct warehouse party vibe. this track is going to detonate those dance floors!
acid future: this is the first time a squelchy acid line has ever featured on a hydraulix release. a tough rumbling reverberated drumbeat, firing on all cylinders with a squelchy 303 sat on top. it’s even got a voice and some reversed bits of 303! what more could you ask for?

melbournes luis cl is back for his second outing on superconscious records with three trademark house cuts.

more chicago house bizznizz from the original rockin house label...incl. a mike dunn version as well.... know whats up! ... ltd re:issue

death on the balcony s ‘tides of fortune has been the subject of relentless -track id- requests pleading us to reveal the name of the artist and track since be-at-tv streamed the bpm performance of lee burridge and matthew dekay back in 2015. joined on the ep by three other tracks there s a cohesive feel to the two friends vibe. mysterious melodies drift in and out of the hypnotic grooves on rivers of sound that could have soundtracked a star trek episode from the original series. 1700 miles is delicate and deep with a simple infectious vocal sample. don t be deceived though. when played on a club system the kick drum and bassline draw you in while the atmospheric elements send the listener to otherworldly places. we feel rather privileged as this track is mark’s first solo outing from dotb under his new moniker “caramelli” and dotbs first full length on all day i dream. mark’s back in the band for memories of the future which completes the release with its funky bass and trippy ambience. close your eyes and be transported.

new 12 inch from the modern house quintet, with two house music tracks.
* fiesole*: rhodes + guitar + pad + tr-909 + flute + bass + string chord
* florence*: organ + rhodes + tr-909 + bass

vinyl only. french duo dixia sirong make their vinyl debut on inner balance, the daughter-label of chez damier’s genre-defining balance imprint. this offshoot is proving to be a rich source of diverse, updated classic house sounds, and its third release is no exception. ‘winnie’ kicks the ep off with a laid-back vibe perfect for afternoon grooving. the techier edge to ’berry white’ makes it well-suited for later in the evening when the dancefloor starts moving, while broken beats and liquid ambience take ‘haqan fen’ into post-peak deepness – make sure to wait for the enveloping bass that arrives five and a half minutes in. ‘winnie’s cut’, finally, is an irresistible precision groove of the sort you might hear in the late late hours at club der visionaere, its soft pads, ricocheting percussion and rolling bass unfurling into the morning sun.

yoruba records is proud to present this new album by label veterans nomumbah. hailing from sao paulo, this three piece consists of andré torquato, ale reis and rafael moraes. with this release, nomumbah show a great deal of maturity, a mark often only surpassed with the release of a sophomore album. the track ‘words’ will strike a familiar chord with listeners, its clever use of maya angelou’s reading of her timeless ‘still i rise’ fits perfectly over the top of a deep bass and bongo driven groove. ‘meinhaus’ is another beautifully crafted track, one that seemingly pays tribute to chicago’s earliest fathers of deep house while still keeping a certain swing that will set it apart on dance floors today. ‘precious’, a definite future favourite, features a cutting lead synth that adds warmth to the track and is accompanied by crystal clear hi-hat bursts and a simple, yet captivating, vocal. this album’s title track, ‘amanha’, edges on tech house with stripped down percussion, a simple rolling bass line and a pulsing lead synth, perfect for setting a more chilled-out vibe. a deep and at times techy release, djs will find all 10 tracks well suited for the late night into early morning hours. featuring rhythmic, chunky bass lines, ambient keys and radiant backing vocals this soon-to-be yoruba classic is a must have for your kit bag in 2016

the second release on the vinyl only series of apes go bananas finally drops. the label is the new imprint from steve bug and clé, who together make up the production team for the releases. as with the well-received first ep, all we have is straight-up, no-nonsense, dance floor-filling house tracks. lead cut ‘all we have settles right into the groove with crisp and funky percussion, chi-town chords and amazing vocal samples. its got peak time written all over it. she cargo makes its influences pretty clear via the title, and the track certainly references some of the iconic sounds of the home of house. thick, rubbery bass lines, squiggly synths and firing percussion combine to deliver a suitable a homage to the windy city. ‘ape parade is built from some similar materials, but the chords are a little more lush and deep - synth strings and keys add a sense of the epic, and everything is tied together with a sick kick / snare / hat pattern. three modern killers for the floor, infused with the spirit of classic house.

under the banner elusive of pbr streetgangs lost property these found items are rumoured to be the work of bonar bradberry from his secret vault of special edits, rare works and oddities. this volume appears to contain versions of : quartz - beyond the clouds sylvester i need you jon carpenter - escape from new york tony sherman - ello vee ee a little bird also told us that broken walls features bass & guitar by fernando and piano and keys by ron basejam limited run, individually hand stamped for your collecting pleasure.

he might be an architect by profession, but in his spare time spanish producer jaime tellado sets forth his work with the construction of groove and the design of soundscapes. under his skygaze moniker, he’s built a name for himself far outside the scene he’s grown up in. with his ‘some fun’ ep, once again showcases his well-structured yet wild-flowing melodic groove, combining deep bass with an ambient touch.

one sided vinyl with silkscreened b side, comes in clear sleeve with poster numbered, edition of 350 dreams really come true: when we heard tomemitsu s beautiful lo-fi indie songs on the cassette -m_o_d_e_s- back in 2013 we fell in love! especially the track -in dreams- followed us around for months. humming it in the subway, singing along in the car. many dreams later we found out that our friend and fellow hamburger stefan marx also loves the song and even named an art show after it. coincidence? surely not, so together we made the plan to release -in dreams- on vinyl. luckily tomemitsu himself was very happy with the idea and even allowed rss disco to remix the song. the notorious dj and production trio upped the tempo to head-spinning 99bpm, recorded additional drums & bass and added several minutes of pleasure. finally, the two tracks will be released on vinyl for the first time. screen-printed records, including a poster in a clear sleeve. music by tomemitsu, designed by stefan marx, remixed by rss disco, released by mireia records. it s all a dream!

ninja tunes romare veröffentlicht eine neue 12inch single mit einem exklusivem track! mitte november erscheint romares zweites album love songs: part two auf ninja tune. um diese amourösen exkursionen zu feiern, präsentiert romare als kleine kostprobe die single who loves you?. diese kombination aus punk-funk-bass, disco-rhythmus, dubby vocals und einhundertundeins subtilen elementen, die man kaum bemerkt, macht who loves you? zu einer seltenen sache zu einem four-to-the-floor tanzflächen füller mit intelligenz und echtem sexappeal.

spain s slow town rarely fails to deliver the goods. split, so called because it contains tracks from numerous artists, more than lives up to the label s rising reputation. it probably helps that the a-side comes from former bent man and longtime east midlands deep house stalwart nail. his -shake back- explores similar sonic territory to pepe bradock s -deep burnt-, whilst retaining the chunky, bass-heavy bottom-end recognizable from his releases for classic, shabby doll and robsoul recordings. on the flip, there s an equally assured cut from london stalwarts jonno & tommo. -wolf spirit- is an altogether more tech-tinged affair, built around a restless electronic bassline, hypnotic percussion and woozy, late night chords.

the vanguard project is the brainchild of steve bcee & andrew villem wilson. both already being established producers this new project sees them truly going from strength to strength with every release. for the daredevil ep they deliver four soul-soaked slices of deep spaced drum & bass with rolling drums. to keep things short and simple, this is dope.

19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before! bocal 5 were a no wave art group composed of doc pilot (synths, vocals), zouka dzaza (bass), florian guillou (synths), mickey lepron (electronic drums, bass) and evy tinguette (lead vocals). the project was born in november 1980 in tours, france as the brain child of doc pilot. between 1981 to 1986 bocal 5 recorded one 7inch single and a cassette-only album before taking a year off in 1984 to launch x-ray pop. influenced by erik satie, brigitte bardot, suicide and young marble giants, they call their music-minimum naive new wave.

steve spacek links with eglo records, delivering an essential slab of futuristic, broken, dancehall wickedness! bass weight of the heaviest kind, topped with spacek’s butter soft vocals. pure fiya, turn up the amplifier!

arnold jarvis take some time out was first released in 1987, the year that fourth floor records was born, and it stands the test of time as a seminal release for the label. the track perfectly characterises the stand out productions that keep the house music world returning again and again to its catalogue for inspiration. this official vinyl re-issue includes the club and dub that made up the original release, plus a reconstruction mix by ilija rudman. ilija delighted classic music company earlier this year with his minimal take on disco in track in her eyes. his approach to the take some time out re-work has the same deconstructed vibe the loose percussion and punchy melodic bass gives a pleasing spaciousness to the track, giving the record fresh life and re-imagining it for 2016

picking up from where their critically acclaimed ‘only you ep’ left off, spectrasoul keep the ish chat music coming with the bruising ‘stock sound ep’. pushing further afield into darker territories, jack and dave offer up a stunning array designed for drum & bass aficionados across the globe.

gourmet beats 007 is the los angeles ep featuring introspekt, mesck, oxossi, and subtle mind. the idea behind the ep was to bring together some of the hot talent emerging out of the la bass music scene.
support from: joenice, bunzero, raggs, e3, kursk, mesck, gantz, emmo, infradub, vivek, sapleo, dub diggerz, basstrace, dubphase soundsystem, nousless, malleus, moonstones, fkof, trusik, true soldiers productions, datasetclothing, subfm.

sydney based swede adam stromstedt returns for the second release on lyssna, which he co-runs with partners out of stockholm and amsterdam. he s previously done stuff on bristol s banoffee pies and local imprint junk yard connections, mr. tophat s label. his offering on the a side entitled -sinbad- is a dusty and hypnotic deep house jam, that will appeal to fans of thomas melchior or more recently rene audiard. on the flip, there s label co-owner flord king, who just so happens to be the aforementioned connection in amsterdam. his contribution -dapper- is another excursion in subtle trance induction with rolling bass, immaculately programmed rhythm and woozy pads for added effect.

crossing returns with cracking and dreamy techno from pfirter, avion, doka and stefan rein. the label from avion strikes with its 7th installment releasing a package of 4 new techno slices from different producers showing what crossing stands for. the release starts with ‘sut‘ a track from the argentinian producer pfirter which creates an outer atmosphere with its pad, surrounding percussions and space running frequencies carried by this straight deep bass drum. a beauty. avion doesn’t take any captives and kicks the floor with a never ending trip of industrial percussions, noises, a heavy drum and a groove that will grab and never leave you. an explosive killer. for doka time is running in a different way. his ‘mural‘ comes with a melancholic bassline and rhythmic drum work to bring this imaginery painting from the wall into notes. surreal but true techno. stefan rein is closing the release with a bang. the ‘amorphous material‘ will never get tired and brings with metallic snares, hats and rides a kick’in weapon which includes a synth pad that will give you a smile in every moment you hear it. a clear definition of techno and its madness.

2016 repress , having provided a remix for the label back in 2010 ethyl & flori now release their first full ep for the label, the last ninja kicks things off with an unmistakable old school tech-house feel which to us at fof recalled the classic architecture dj mix by terry francis with its punchy kick, sharp percussion and imbued uplifting warmth. fornjot by flori on the flip is a different proposition, although still deeply entrenched in a throwback to yesterdays production stylings, this is a much more techno orientated groove with the tracks repeated metallic bass riff anchoring the track in a gloriously hypnotic yet fresh way.

(vinyl + download) thomas werbrouck (little trouble kids) has a new project called krankland, a four piece band with christophe claeys (sx, magnus, balthazar) on drums, thomas mortier (yuko) on bass and janko beckers (faces on tv) on guitar.

most excellent unlimiteds series of 45s celebrating the 45th year of danny krivits career continues with a blast of two heavyweight cuts that, to borrow the parlance of the era from which they came, are bonafide sure shots. wood, brass & steels *funkanova* a jazz-funk masterpiece and loft classic that was liberally sampled in the house world (black science orchestra, terrence parker, the bucketheads), is pared down to its most joyous elements. from the intro, a typical krivit maestros detail of an opening bass slide prefacing hands-in-the-air cascades of iconic horns and keys, to the echo of the last notes, its a perfect edit immaculately tailored for dj usage. the flip delves deeper into new york city dance history with a rough and rugged beat- down of a proto-disco, b-boy classic: boobie knight & the universal ladys * sex*. displaying his usual knack of going straight for the jugular, krivit takes the songs siren-call-to-the-dance floor horn riff as his starting point, peeling off another layer to the floor-shaking bass and drums before bringing it all back to the top with a perfectly placed drum roll that will have flash disciples fiending for doubles. solidifying this blazing double-sider is the fact that neither of these essential cuts has ever appeared in seven-inch form. another most excellent unlimited sure shot!

„after impressing with releases like high times and the hustle ep, young berlin talent vincent vedat returns with what might be his best release to date. mixing equal parts sleaze and sensuality, the porn-themed 69 packs in six delicious dalliances into one tidy package. the title track kicks off in heady fashion, heavy on the atmospheric layers, trademark vedat replayed samples and throbbing kick drums. moody porn goes for that heavily swung, wonky / woozy house sound. gmym gets more energetic with infectious percussion, rough tape sounds and soulful vocal cuts. unisex channels classic us garage swing and bump in a wonderfully deep way with gorgeous chords and no need for a bassline. dreamy porn steps things up a notch again with hazy vocal samples, detuned bass warbles and sweet synths. sweet agony pits heavily distorted electric piano chords against a dulcet vocal refrain, a truly beautiful juxtaposition.“

the second chapter of this young danish talent s spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of belgian labels like r&s and buzz.

various artist ep collaborations 2 from unlock recordings, featuring tracks from label head solimano, bruno de vincenti, christian burkhardt, barem and federico molinari. gonzalo solimano first created the unlock recordings imprint back in 2004 as a platform to support latin american productions, and ever since then the buenos aires label has played host to the likes of guti, jorge savoretti and franco cinelli. the second instalment in the labels collaborations series, solimano now invites german producer christian burkhardt to join argentinian talents bruno de vincenti, oslo records artist federico molinari and fun records founder barem for a split release. first up is solimano & bruno de vincentis cut love nebulae which layers infectious percussion with gentle chord sequences and filtered effects. christian burkhardts doog then cuts in on a deeper and darker tip, with a low-slung bass groove and hypnotic pad sequences. up next is barems funk duck with its rolling percussion, staggered synths and a pulsating low end, before federico molinari rounds off the package with 2.014.2, blending dubby bass patterns, chopped samples and frantic synth spirals.

having bared his ego back in may 2015 and then more of his skills on a contribution to the robsoul edits collection earlier this year, long time label buddy joss moog returns with a fresh selection of beats on ’triple loop’. belying its name, we’re treated to four new sure shots from moog who, reknowned in the art of sculpting perfect party jams, has delivered once again. the stripped and simple vocal loop of the title track opens the ep, followed by the warm, buzzing bass and smooth jazzy keys of ‘etincelles’. on the flip the frenchman funks things up and breaks out the snares. disco stabs, vocal drops and rasping hats are all woven together to emphasise the classic groove. these are the breaks… amen. back on the 4x4 to close and josh lets the piano lead the dance on the smooth and soulful finalé of his latest robsoul treat.

a name on everyone s lips, charismatic talent waff is back onboard hot creations curating the sick pleasure ep with three original cuts that once again showcase his unique style and adept understanding of the dancefloor. kicking things off with kidney punch, a throbbing bass is perfectly executed under blissful, angelic vocals. party starter flipback is next up igniting carnival-esque energy. on the flip, the sonic sick pleasure carries the mind away through hypnotic melodies that ride amongst the layers of intricate percussion. a natural born talent, waff started producing over ten years ago and has gone on to become one of the most sought after artists of recent times. not only is he an integral part of the hot creations family and resident at jamies paradise night at dc10 in ibiza, hes also releasing on the likes of moon harbour, drumcode and cocoon. his music has also been getting the nod from key players adam beyer, loco dice, joseph capriati, marco carola, sven vath and many more

rhythm büro is a new record label based out of kiev, ukraine started by dj and promoter igor glushko. the büro first began as a local party series organised by igor, alexander pavlenko (aka na nich, widely known in the drum’n’bass world as sunchase) and vera logdanidi (aka vero). since the party’s beginning in march 2015, rhythm büro has hosted such greats as zadig, abdulla rashim, etapp kyle, eric cloutier, woo york, artefakt, acronym, steve bicknell and actress all at different non-club warehouse-like locations around kiev. a peculiar aspect of the rhythm büro team’s objective has been to maintain secrecy about the exact location of the party until a day prior to the event, when ticket buyers are then informed about the location via text message or email. the label was started to be the logical and progressive extension to what rhythm büro has established itself to be locally: one of ukraine’s prominent techno initiatives. for the first release of the label, na nich and vero have contributed two joint-produced tracks that are to become their first publicly available material under their current aliases. while a1 leans itself to the soundscape that is more or less typical for rhythm büro parties: trippy, hypnotic and transportive techno, a2 hits the floor with refreshing zeal, bringing an electro-esque break-beat under deep and emotive synth layers. the b side contains two remixes of the title track, one of which is thoroughly tailored by the dutch-born-berlin-based-duo, artefakt (mostly known for their releases on delsin, prologue and field) as well as a strong and heady remix by semantica records’ mastermind, svreca.

jonas friedlich, better known through mistress recordings and carl gari, releases his first solo 12- on molten moods. the versatile 4 track ep starts with the rather straight -bo s breakfast- that begins with a polyrhythmic 303 bass line leading into a catchy garage-ish chorus, kicking in out of a clear sky but fittingly. -bus driver- is a wicked trip, the combination of the long acid build up and a nicely chopped vocal bit is irresistible. a proven, tested (and molten moods certified) club banger, regardless of its rather untypical breakbeat. track number 3 called -praise your name- aces groove through perfectly cut vocal samples and a fancy reference to 90s hip hop and drum n bass aesthetics. the next and last piece on the record is the eponymous -deskjet-, which is inspired by friedlichs conceptual sound art installations using printers. here rather restrained synthie lines are underpinned by a powerful kick and psychedelic tape delay noises. the 12- vinyl is handstamped on both sides. mastered and cut by scape mastering. artwork by paul bernhard.

after countless singles, lps and performances played around the world, james donadio is back with his first full length effort since 2014s petit cochon. ghost detergent is a consummate amalgam of fried gear, chunky bass and fractured samples. donadio s extraordinary ability to fuse his wide range of influences into a collection of lucidly executed and concise jams has reached it s paragon.

five crispy cuts of dusty acid house and uk techno on the a-side featuring idm leaning bass and ambient on the b-side.

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

both sides evoke the ubiquitous tension between anxiety and gratification inherent to a curious human experience.
driving bass and organic percussion sit within a subtly evolving context, as the tone oscillates between claustrophobia and euphoria. the result is two ultimately uplifting techno tracks, equally relevant on the dance floor as in the hands of the home listener.

after his feature on oxias unity ep earlier this year, mannheims own steffen deux is finally back on 8bit with a brand new double tracker, exclusively remixed by tech house don curatero. fountain of youth ep is made for the club and will make all speakers pump: the original mix hooks with a subby rolling bass and fat drums, tightly arranged & perfectly coordinated. peachick is a laidback groove, striving from disorted fx and fading spheres - this tool is ready to fit the set almost anytime. curateros more forward fountain remix rounds the package to a timeless ep for djs and dancers alike.

vanta series is the new series for killekill s dancefloor music. the releases come in series, every series comes with a theme and one artwork which is being split in several parts to go with each release. the first series is called -the end is near- and features four records. it comes with an artwork by french visual artist elzo durt. the second record is coming from kamikaze space programme, who delivers three types of tracks:&#8232, type 1 – a nervous piece of bells, percussion and bass&#8232, type 2 – a minimalistic techno night drive&#8232, type 3 – a spacious futuristic soundscape&#8232, type 3 comes with a remix by joefarr, who added some drama to the original and therewith created a proper hit for the darker hours.

the ep entitled deceased unknown, a seemingly morbid piece of art (art/music) but look a little deeper! this ep sees b12 pick up the pace from their previous firescope release brokenunbroken “coduktor” an organ plays some subtle chords behind this track while beautiful drums skip along on top, to create a sonic backdrop for the very quirky melodies and top lines that constantly evolve and interpolate. a spiritual experience ? “dont look down” 808 and 909 drum and pads always a killer combination add to this an odd malformed bass line which never really reveals quite what it is doing makes for a pretty interesting track. don’t look down where is the question “blue and green capsule” a pumping kick drum sets the pace for this track which builds up using classic b12 style drums. the swirling pads and sliding melodies interlaced make this track reminiscent of “epillion” as featured on the classic b12 album “time tourist” on warp records in 1996. a track you can move your feet as well as your head to “minor decay” brain decay , world decay , urban decay , human decay , music decay, unavoidable decay - a simple straightforward techno track using its simplicity to conjure up feelings of sadness and thoughtfulness as well as joy and hope. a new hope finished in glorious red with black splatter vinyl with exclusive artwork by sarah sparkes

for their 2nd release, the parisian label have decided to play -rawze- & clubby. then they called around7 for that. the french producer has digged his best rythm voices, bumpin bass lines, heavy beats & some crazy samples to give us his version of funk. and for sure, funk is in da house & that s pure joy to play this record live, for make the dancefloor wet!! anyway, rawze ep is guaranteed fun, approved by ondulé recordings & served only on limited wax… once again all the ingredients for an unlimited pleasure!!!

this the second album by big funk factory d-funkt! the soundtrack to the story transaction declined traces the final adventure of dweeb droid and introduces aged rocker awm, whose perfidious character we will suffer a good deal more in the final chapter of the big funk epic bucky ball. anyway back to d-funkt! the band s usual cast features amongst others mat johnson (jamiroquai, laura doggit, julian perretta, duffy) as the nerdmeister general on keyboards. wayne nunes and perry melius (tricky, aswad, billy ocean) as that tall bloke and the metrognome on bass and drums

berlin-based producer lapien serves up an atmospheric three tracker on radio slaves rekids. also known as metropolis or one half of artefakt, nick lapiens last three releases have landed on finale sessions, fred ps soul people music and dvs1s mistress recordings. releasing on rekids, the multifaceted dutch artists next outing features three mesmerising cuts with the dusky a change is gonna come initiating the package using infectious hats, subtle sub-bass and an indistinguishable vocal that ebbs subtly in and out of the mix. as it is is the most robust number on the package with its undulating percussion and moody chords taking centre stage, until vexed concludes everything with gloomy pads, shuffling hats and echoing effects.

jürgen karg’s career in music began in the 1960s as bass player for german jazz legend wolfgang dauner. it was not until the 1970’s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five year period. his efforts culminated in “elektronische mythen”, a mighty opus of experimental music which reveals new aspects every time it is played. jürgen karg’s music is deeply serious, as vexing as a jamais vu, yet absolutely beautiful. “elektronische mythen” is an album which fits like a puzzle piece between the first and second soundtracks for a clockwork orange. it’s worth to check it out!

producer nick hollyster teamed up with robin orlando. several tracks have been worked out and we are proud to present the first two here on resopal. >music box< is a stellar piece of neo acid-techno, catching the relaxed atmosphere of the guys with its lush synth work and a bass-heavy rhythm-chicago tracking. >scenario< is a percussive jam with melodic counterparts while jackin’.

the omnibus band was founded by jarda zajpt and petr dikan in 1979 in czechoslovakia. having met at the electronic high school, electronics was their field of expertise. over time, petr dikan constructed several sound devices such as the Šílený fridrich (Šf, crazy frederick) keyboard and the vsd (všude samý dráty/wires everywhere) generator which he operated during the recordings and also at concerts. at that time, heavily influenced by brian eno and robert fripp from the king crimson band, jarda zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. the first record, “israels”, was produced between 1980 and 1982. in 1985, jarda zajpt swapped a guitar for a keyboard and a new member arrived – pavel zvolenský – who programmed and played the automatic percussions. martin bauer, playing the bass guitar, completed the trio. they have produced a second album, “rhythmus”, in this assembly. remastered from unreleased tape recordings. this is the first release in the framework of the project jupiter 08 – archeology of the slavic electronic sound.